Inverse orientalism in matar's In the Country of Men

Abstract

This thesis analyses the representation of the discursive practices of Orientalism as challenging reversely in Matar's In the Country of Men. The westerner’s assumption of the non-western countries, especially Arab nations as the land of Genie and fantasy having belly dancer women and terrorist or rapist men. Whereas, the present research focuses on the particular aspects of the Arab world’s positive qualities instead of weaknesses set from the age of Enlightenment. The novel opens with the description of Suleiman’s comfortable life inTriopoli, the capital city of Libya. He has a very successful business family and receives parental care. The culture in which he lives is very religious and sacred. It is a culture that gives equality to all, so Suleiman's future seems good. The odd circumstances are on the verge of change. Within these parameters, young Suleiman attempts to define his world. It is a suitable environment for Suleiman develops plans to guide him through his life with his parents, his life with his peers, and later. When he is sent out of the country then his life for himself. These issues in the novel challenge the stereotypes inflicted against the Arab by the West in the name of Orientalism.