Mahesh PaudyalDev Saru2026-06-032026-06-032025https://hdl.handle.net/20.500.14540/26882This paper explores the epistemic, philosophical, aesthetics, historical, religious and spiritual motifs of Uma-Maheshwar’s nude sculptures, particularly using Barthean Semiology. It examines how nudity in Nepali sculpturestranscends eroticism to symbolize purity, transcendence, and spiritual enlightenment. Drawing on Barthean semiology, the paper contends that these sculptures offer deeper meaning beyond their visual representation of sexual acts, reflecting societal openness and metaphysical knowledge. Furthermore, it situates the erotic imagery within Hindu and Buddhist philosophical frameworks, suggesting that these carvings represent sacred unions and cosmic balance rather than mere physical desire. Through a visual and epistemic analysis, the study emphasizes the sculptures' role in communicating spiritual truths and cultural values.en-USSocio-culturalReligious templesThesis