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PreviewIssue DateTitleAuthor(s)Institute NameLevelCountry
2018Julian Barnes’The Sense of an Ending as a Postmodern Historiographic MetafictionGhimire, Dev BahadurCentral Department of EnglishMasters-
2018Representation of Female Subalterns in Shashi Deshpande’s The Intrusion and other StoriesBhattarai, SapanaCentral Department of EnglishMasters-
2018Formation of Yoruba Cultural Identity in Soyinka'sDeath and The King's Horseman and TheStrong BreedJha, Rupesh KumarCentral Department of EnglishMasters-
2018Projection of Orientalist Ethos in Kazuo Ishiguro's When We Were OrphansPandey, Tej NarayanCentral Department of EnglishMasters-
2018The Life of Indifference and Alienation in Camus' The OutsiderGharti Magar, Dhan KumariPrithivi Narayan Campus, PokharaMasters-
2018Representation of the Early Eighteenth American Society in Benjamin Franklin’s AutobiographyK. C., Khim BahadurCentral Department of EnglishMasters-
2018Exploration of Ethnic Nationalism in Kiran Desai’s The Inheritance of LossSubedi, UdayaPrithivi Narayan Campus, PokharaMasters-
Feb-2018Intra-Racial Exploitation in Toni Morrison’s The Bluest EyeAcharya, SangitaPrithivi Narayan Campus, PokharaMasters-
Dec-2018Subaltern Consciousness: Awakening of Black Self in Paul Beatty’s The SelloutJoshi, Keshab PrasadCentral Department of EnglishMasters-
2018Indeterminacy of Gender Identity in Arnold Wesker's Chicken Soup with Barley and Edward Albee's Who’s Afraid of Virginia Woolf?Timilsina, Ganesh RajPrithivi Narayan Campus, PokharaMasters-

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