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| Preview | Issue Date | Title | Author(s) | Institute Name | Level | Country |
| 2015 | Domination of Patriarchy in Saudi Arabia: a feminist reading of Rajaa Alsanea’sGirls of Riyadh | Sapkota, Saraswati | Central Department of English | Masters | - |
| 2011 | Don DeLillo’s Libra: A Critique of Capitalist Ideology | Bohara, Karn Bahadur | Central Department of English | Masters | - |
| 2008 | Donatello the Faun:Constructing a Dark Other inThe Marble Faun | Ghimire, Anju | Central Department of English | Masters | - |
| 2007 | Donne's Attitude to Women : A Psycho-political Study of His Poetry | Kandel, Buddhi Raj Sharma | Central Department of English | Masters | - |
| 2009 | Double Bind of History and Fiction in Rushdie’s Shalimar the Clown | Lamsal, Rohit Kumar | Central Department of English | Masters | - |
| 2017 | Double Consciousness in Maya Angelou’s I Know Why the Caged Bird Sings | Khatri, Hansaraj | Central Department of English | Masters | - |
| 2015 | Double Identity of Verloc: Anti-colonialism in Joseph Conrad’s The Secret Agent | Jugjali, Harka Lal | Central Department of English | Masters | - |
 | Feb-2010 | Double marginalization of women in Arthur Golden’s Memoirs of a Geisha | Pakhrin, Annie | Central Department of English | Masters | - |
| 2014 | Double Victimization of Black Women in Toni Morrison's A Mercy | Gautam, Gopal Prasad | Central Department of English | Masters | - |
| 2021 | Dramatic Irony in Gayle Forman’s If I Stay | Subedi, Meena | Central Department of English | Masters | - |
| 2007 | Dramatization of Relationship Between Individual and Heritage: A Comparative Study of Anton Chekhov’s The Cherry Orchard and August Wilson’s The Piano Lesson | Sharma, Bed Nath | Central Department of English | Masters | - |
| 2022 | Dramatization of Women's Identity: A Feminist Reading of Selected Maithili Dramas | Sanjeevani, Sapana | Central Department of English | M.Phil. | - |
| 2023 | A dramaturgic trajectory of hiding oneself in eat pray love | Regmi, Aarati | Central Department of English | M.Phil. | - |
| 2019 | Dramaturgy and Catharsis of Pai: A Gurung Death Ritual | Gurung, Lok Prasad | Central Department of English | M.Phil. | - |
| 2016 | Dream as an Alternative History in Langston Hughes’s Selected Poems | Budhathoki, Sushmita | Central Department of English | Masters | - |
| 2007 | The Dream Screen in The Moviegoer: A Psychoanalytical Reading of the Text. | Bashyal, Dipak Prasad | Central Department of English | Masters | - |
| 2009 | Dual Cultural Consciousness in Rushdie's Fury | Pokhrel, Udaya Narayan | Central Department of English | Masters | - |
| 2013 | Dynamics between Local and Global in The Inheritance of Loss by Kiran Desai | Siwakoti, Narendra Prasad | Central Department of English | M.Phil. | - |
| 2021 | Dynamism between Symbolic and Semiotic in Judith Thompson’s The Crackwalker | Ghimire, Kaushal | Central Department of English | Masters | - |
| 2016 | Dystopian critique and utopian projection in Nadine Gordimer’s July’s People | Khatiwada, Laxman | Central Department of English | Masters | - |
