Please use this identifier to cite or link to this item: https://elibrary.tucl.edu.np/handle/123456789/12828
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dc.contributor.authorBhandari, Prakash-
dc.date.accessioned2022-09-06T07:12:58Z-
dc.date.available2022-09-06T07:12:58Z-
dc.date.issued2010-
dc.identifier.urihttps://elibrary.tucl.edu.np/handle/123456789/12828-
dc.description.abstractThe present thesis seeks to analyze the novel Ragtime from the discourse of parody. The notion of parody heavily verges on the theoretical base of Linda Hutcheon. This research foregrounds that the device of parody employed in Ragtime subverts the basic chant of Progressive Era represented in the official history. By exposing the bleakness of the social conditions, Doctorow, in his novel Ragtime parodizes the notion of equality justice and progress that are associated with American Progressive Era .The centrality of this novel lies in its representation of the official historiography through critical revisiting and ironic dialogue of the past.en_US
dc.language.isoen_USen_US
dc.publisherDepartment of Englishen_US
dc.subjectAmerican Progressive Eraen_US
dc.subjectRacial discriminationen_US
dc.subjectPostmodern parodyen_US
dc.titleParodizing American Progressive Era in E.L. Doctorow's Ragtimeen_US
dc.typeThesisen_US
local.institute.titleCentral Department of Englishen_US
local.academic.levelMastersen_US
Appears in Collections:English

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