Please use this identifier to cite or link to this item: https://elibrary.tucl.edu.np/handle/123456789/14809
Full metadata record
DC FieldValueLanguage
dc.contributor.authorRijal, Gatha-
dc.date.accessioned2023-02-03T05:42:51Z-
dc.date.available2023-02-03T05:42:51Z-
dc.date.issued2017-
dc.identifier.urihttps://elibrary.tucl.edu.np/handle/123456789/14809-
dc.description.abstract‘God is dead’ is a statement that has always been associated with Nietzsche’s Zarathustra even though he was not Nietzsche’s original spokes person. So this research focuses on how Zarathustra says what he says that he ends up not only with the credit of declaring God’s death but is also able to persuade the world that God is indeed dead. This dissertation employs rhetorical analysis to meet these research aims. By observing what Zarathustra says and how he says it, this research comes to the conclusion that even though Zarathustra is not the one to declare God’s death, he is the first person to accept it. With his acceptance and insistence upon God’s demise, he kills God. With his celebration of God’s death as good riddance, he kills God. With his roaring laughter a tour ass-worshipping, he kills God. And thus, Nietzsche is able to persuade his audience about God’s death by whispering his message into Zarathustra’s ears which when finds Zarathustra’s voice, sounds like a thunder.en_US
dc.language.isoen_USen_US
dc.publisherDepartment of Englishen_US
dc.subjectEternal recurrenceen_US
dc.subjectZarathustraen_US
dc.subjectRhetorical analysisen_US
dc.subjectPersuasionen_US
dc.titleHow Does Zarathustra Kill God?: A Rhetorical Analysis of Friedrich Nietzsche’s Thus Spake Zarathustraen_US
dc.typeThesisen_US
local.institute.titleCentral Department of Englishen_US
local.academic.levelMastersen_US
Appears in Collections:English

Files in This Item:
File Description SizeFormat 
Full thesis.pdf117.31 kBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.