Fury as a Trope in Salman Rushdie’s Fury

Abstract

This research deals with Salman Rushdie’s Fury with an attempt to describe ‘fury’ as a trope in the era of globalization. It asserts that the main character, Malik Solanka, is trapped and infuriated differently due to the changes in socio-economic and cultural aspects, which build up psychological tension within him. Global society projects Solanka as a figure who is victimized by the facets of globalization that generate different problems in his life and make him crippled. So, Solanka, as he is victimized by the global changes, lives with fury which becomes an indispensable part of his life