Please use this identifier to cite or link to this item:
https://elibrary.tucl.edu.np/handle/123456789/22201
Full metadata record
DC Field | Value | Language |
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dc.contributor.author | Budhathoki, Madan Kumar | - |
dc.date.accessioned | 2024-03-26T16:15:00Z | - |
dc.date.available | 2024-03-26T16:15:00Z | - |
dc.date.issued | 2014 | - |
dc.identifier.uri | https://elibrary.tucl.edu.np/handle/123456789/22201 | - |
dc.description.abstract | This research explores the performativity of Yalang and Palam in the changing context. Yalang, meaning Dhannach, and Palam, a song, are one of their most celebrated forms of rituals, performed especially during the paddy harvesting season. This dance was originated to thrash the grains from dried paddy plants in the past when there was no custom of using oxen to thrash rice grains as done now a days and the song which they sing while they perform Dhannach is called Palam. This trend of singing and dancing, after a long span has turned into a popular culture of Limbus. This ritual performance associated with Limbu community since time immemorial is believed to be life giving tonic for them. It embodies a strong bond of mutual understanding and affection among the people in Limbu community. Over the years, these folk performances have undergone immense transformations, primarily in forms. | en_US |
dc.language.iso | en_US | en_US |
dc.publisher | Department of English | en_US |
dc.subject | Limbu culture | en_US |
dc.subject | Cultural heritage | en_US |
dc.title | Yalang and Palam of Limbu Culture in the Changing Context | en_US |
dc.type | Thesis | en_US |
local.institute.title | Central Department of English | en_US |
local.academic.level | M.Phil. | en_US |
Appears in Collections: | English |
Files in This Item:
File | Description | Size | Format | |
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cover page.pdf | 18.64 kB | Adobe PDF | View/Open | |
chapter page.pdf | 191.58 kB | Adobe PDF | View/Open |
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