Please use this identifier to cite or link to this item: https://elibrary.tucl.edu.np/handle/123456789/22201
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dc.contributor.authorBudhathoki, Madan Kumar-
dc.date.accessioned2024-03-26T16:15:00Z-
dc.date.available2024-03-26T16:15:00Z-
dc.date.issued2014-
dc.identifier.urihttps://elibrary.tucl.edu.np/handle/123456789/22201-
dc.description.abstractThis research explores the performativity of Yalang and Palam in the changing context. Yalang, meaning Dhannach, and Palam, a song, are one of their most celebrated forms of rituals, performed especially during the paddy harvesting season. This dance was originated to thrash the grains from dried paddy plants in the past when there was no custom of using oxen to thrash rice grains as done now a days and the song which they sing while they perform Dhannach is called Palam. This trend of singing and dancing, after a long span has turned into a popular culture of Limbus. This ritual performance associated with Limbu community since time immemorial is believed to be life giving tonic for them. It embodies a strong bond of mutual understanding and affection among the people in Limbu community. Over the years, these folk performances have undergone immense transformations, primarily in forms.en_US
dc.language.isoen_USen_US
dc.publisherDepartment of Englishen_US
dc.subjectLimbu cultureen_US
dc.subjectCultural heritageen_US
dc.titleYalang and Palam of Limbu Culture in the Changing Contexten_US
dc.typeThesisen_US
local.institute.titleCentral Department of Englishen_US
local.academic.levelM.Phil.en_US
Appears in Collections:English

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