Please use this identifier to cite or link to this item: https://elibrary.tucl.edu.np/handle/123456789/2864
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dc.contributor.authorDahal, Arvind
dc.date.accessioned2021-03-09T06:46:47Z
dc.date.accessioned2021-07-23T04:22:38Z-
dc.date.available2021-03-09T06:46:47Z
dc.date.available2021-07-23T04:22:38Z-
dc.date.issued2017
dc.identifier.urihttp://elibrary.tucl.edu.np/handle/123456789/2864-
dc.description.abstractThis research explores the shift and continuities of representing Kathmandu city in Western cinematic and musical creations since 1970s. My research concerns with the representations of Kathmandu City in the popular culture. It intends to explore the imagination of Kathmandu as a touristic place and how they represent the city and produce images in the popular culture which expands far beyond the visual apprehension and enjoyment of a landscape. While doing so my research first explores the representations, practices and processes of identity formation and cultural negotiations that are brought about in the city by tourism and secondly, it analyses the content and the visual representations of the songs and the movies relying primarily on the theoretical tools of Popular Culture and secondarily the image production of the landscape in terms of Tourist gaze. Keywords: Gaze, purple haze, hippies, psychedelic orientalism, cultural politics, appropriation, duplicity of landscape, staged authenticity, metaphorizationen_US
dc.language.isoen_USen_US
dc.publisherCentral Department of Englishen_US
dc.subjectGazeen_US
dc.subjectPurple Hageen_US
dc.subjectHippiesen_US
dc.titleUnder the Tourist’s Gaze: Kathmandu in the Popular Cultureen_US
dc.typeThesisen_US
Appears in Collections:English

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