Alternative Modernity: Cultural Mediation and Identity Formation in Markandaya’s Novel A Silence of Desire

Abstract

This research examines the constituents of an Indian middle class behavior in Kamala Markandaya’s novel A Silence of Desire. The project aims to research whether the characters go for a compulsive urge for modernity or make a strong hold to nostalgic idealization of the tradition or form a constituted identity out of the amalgamation of both the attributes. This identity addresses the form of modernity Indian society celebrates within a non-western location apart from the reason oriented ‘Enlightenment Modernity’ of the West. The revelation of Sarojini’s secrecy, the indebted feelings of Dandekar towards the Swamy and Sarojini’s readiness to be treated at the hospital indicates an improving relationship among the couple. The character can neither escape the colonial legacy of reason and the overwhelming global cultural flows nor can they ignore the native sense of spiritual anchorage and religious beliefs. The harmony is only possible when both the characters acknowledge the necessity of both ‘faith’ and ‘reason’ as essential to lead a healthy life and agree to come near, by respecting the opposing views.