Browsing by Subject "Capitalistic ideology"
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Item Critique of capitalist ideology in O’Neill’s Long Day’s Journey into Night(Department of English, 2016) Timilsina, Yan RajThis dissertation explores the suffering of Tyrone and victimization of bourgeoning capitalism under capitalistic society of Eugene O’Neill’s “Long Day’s Journey into Night”. This research mainly depicts upon the ideological concern of capitalism, the ideology which falsely takes place in the mind of individual in an illusionary way. Tyrone family and especially James Tyrone has become the victim of ideology of Capitalism and American dream. Capitalism always objectifies the individual in such way where individual is always forced to become concrete representation. Hence, the research critiques objectification and suppression against individual by capitalistic ideology that values material benefits over an individual.Item Subversion of Patriarchal Codes in Aphra Behn's The Rover(Central Department of English, 2014) Timsina, DevendraThis research work focuses on against capitalistic social codes and conventions in Aphra Behn's play The Rover. Behn subverts the masculinist as well as capitalistic discourse created by male dominated European society in mid-seventeenth century through her strong female characters. Behn defies capitalistic society by creating witty, independent, attractive, strong, active, and assertive female characters. She vehemently criticizes and blurs the stereotyped view of economic roles in The Rover. Behn with her brilliant stagecraft and carnival setting subverts the gender based ideologies of her contemporary seventeenth century society. Behn's own version of carnival which departs from traditional and religious carnival provides opportunity for female character to get liberation from patriarchal domination and exploitation. They could spontaneously transgress the civility of normal behavior and ideologies of existing social convention and express their social desire freely. Utilizing all the features of Restoration Comedy, Behn's heroines S subvert the male-created narratives of marriage, love, courtship and prostitution.