Browsing by Subject "Womanist"
Now showing 1 - 2 of 2
Results Per Page
Sort Options
Item Partition Violence in Pinjar(Department of English, 2009) Jha, Rima KumariPinjardepicts violence done upon womenat the time of the Partition of India in 1947.Duringthe time ofPartition,women were doubly victimized; they became victims of both the riots and thepatriarchy.Though independence freed India, the partition that accosted it made women vulnerable. They were used for masculine power and were just turned into mere objects. The filmPinjarimpli- cates the patriarchy to the gendered violence perpetrated through the life of its protagonist, Puro-turned-Hamida.Item Womanist Revision of The History of 1947 Through Oral Narratives(2011) Nakarmi, SabitaThis dissertation concentrates on Ritu Menon and Kamla Bhasin‘s Border and Boundaries: Women in India‟s Partition; Urvashi Butalia‘s The Other Side of Silence: Voices from the Partition of India; and Meenakshi Verma‘s Aftermath: An Oral History of Violence that present a radically alternative understanding of partition violence through the personal narratives of female partition victims and survivors. They posit the women -- the gendered subaltern -- in the subject position letting them to speak for themselves and keeping them at the centre. Women were the innocent victims of the cataclysmic partition violence in 1947 as the men of one community physically exploited the women of other community in order to breach the manhood of the latter. Women were victimized in multiple ways—in abduction, rape, suicide, conversion, rehabilitation, abortion, migration and alienation. Their bodies were a site for the game of revenge and retaliation of men. In fact, women, their victimization and their death were the pretensions to hide the effeminated manhood of patriarchy. Notwithstanding, the national history silences the voices and representation of women‘s pain and experience as it only glorifies the birth of two independent states. However, the personal narratives that Menon and Bhasin, Butalia and Verma have chronicled, work through subalternist feminist subjectivity to recall the acts of violence against individuals and ethnic groups and to restore women's pain to history with a sense of human compassion. In other words, the oral narratives read against the grain of national history that glorified community and nationhood and present the history through feminist subalternity with the retrieval of the muted voices of women directing the reconstruction and representation. In the oral narratives, the boundaries of national history are redrawn to restructure the patriarchal social structure, thereby give space, voice and empowerment to the gendered subaltern women.