Critique of Cosmopolitan Modernity in Atwood’s The Robber Bride

dc.contributor.authorJoshi, Neelam
dc.date.accessioned2023-09-27T10:30:24Z
dc.date.available2023-09-27T10:30:24Z
dc.date.issued2018
dc.description.abstractUtilizing the concept of modernity and gender as conceptualized by Janet Wolff, Rita Felskiand Bonnie Kim Scott, thisresearch project concentrates on the difficulties and crises upon female characters in Atwood’s novelThe Robber Bride. Most of the female characters in The Robber Brideare deviated from their cultural root and individual identity.They feel that the temptation to follow theWesternized thought has distorted the taste and attitude of the young generation. The main character of this novel Roz belongs to the class of handmaid’s fertile women who is forced to bear children for elite, barren couples and rich people. Roz forgets her real name, cultural identity and her own background being lost in the midst ofWestern technocratic world. She comes in metropolitan American city to searchforher better life, but she becomesa puppet in thehands of different males in the city simply because she is a woman.Though modernity promises about education, development, and betterment of humanity, it deteriorates Rozin the level of apuppetrather than enlightening her. Keywords: Modernity and the City, Cosmopolitan Modernity, Multiple Modernities, Public Sphere, Private Sphere,Flanuer, Flaneuse, Dystopiaen_US
dc.identifier.urihttps://hdl.handle.net/20.500.14540/20049
dc.language.isoen_USen_US
dc.publisherDepartment of Englishen_US
dc.subjectCosmopolitan modernityen_US
dc.subjectMultiple modernitiesen_US
dc.subjectPublic sphereen_US
dc.subjectPrivate sphereen_US
dc.subjectFlanueren_US
dc.subjectFlaneuseen_US
dc.subjectDystopiaen_US
dc.subjectModernity and the Cityen_US
dc.titleCritique of Cosmopolitan Modernity in Atwood’s The Robber Brideen_US
dc.typeThesisen_US
local.academic.levelMastersen_US
local.institute.titleCentral Department of Englishen_US
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