Chekov’s The Seagull: Moral Decadence as a Strand of Modernity

dc.contributor.authorPalli, Arjun
dc.date.accessioned2022-04-19T10:40:40Z
dc.date.available2022-04-19T10:40:40Z
dc.date.issued2021
dc.description.abstractThis research paper brings out the features of modernity affecting themorality of the characters in the play, The Sea-gullby Anton Chekhov. The characters in the play are in the influence of the experience of modernity but at the cost of their integrity and proper conducts. Their inclination towards modernity causes them to follow its aspirations as deeply absorbed in their passions. In essence, Chekhov portrays the characters with different prototype physiognomies of modernity proposed by Charles Baudelaire, like the boheme, dandy, suicide and other physiognomies of passions. The characters in the play are attracted by the experiences of popularity and fame, beauty and fashion, the crowd and city’s world, in an extreme limit so that they derail from their stable life in a way as directed towards the situation of the moral decadence. The excessive vocation for the passions and ambitions create struggle and crisis in the way of life of the characters as they fall into moral decadence.en_US
dc.identifier.urihttps://hdl.handle.net/20.500.14540/9943
dc.language.isoen_USen_US
dc.publisherDepartment of Englishen_US
dc.subjectBohemeen_US
dc.subjectMoral decadenceen_US
dc.subjectModernityen_US
dc.subjectSuicideen_US
dc.titleChekov’s The Seagull: Moral Decadence as a Strand of Modernityen_US
dc.typeThesisen_US
local.academic.levelMastersen_US
local.institute.titleCentral Department of Englishen_US

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