Critique of Western Modernity in Rushdie's The Enchantress of Florence

dc.contributor.authorShrestha, Pratibha
dc.date.accessioned2023-09-29T09:27:55Z
dc.date.available2023-09-29T09:27:55Z
dc.date.issued2012
dc.description.abstractInThe Enchantress of Florence, Salman Rushdie demands for alternative modernities to valorize premodern ethical and moral valuesas well as non-Western culture and civilization bycritiquingWestern modernist rationality exposing its exclusiveness, individualism, and monolithic vision. While doing so, Rushdie mixes up many genres within a single book and wrestles with the coloniallegacy and implication of anthropological knowledge exposing Westerner's interference upon the non-western ideology. Similarly, he exposes cosmopolitanism and hospitable values which existed in India in Mughal Akbar's time, and values of non-Western culture and civilization through his own experience.Akbar the Great, the Famous Sixteenth century Mughal emperor,championed religious tolerance and reason in India.He is presented as abrilliant military commander as well assomething of a philosopher ruler who challenges the Western modernity represented by Mogordell’Amoreand Qara Köz.en_US
dc.identifier.urihttps://hdl.handle.net/20.500.14540/20076
dc.language.isoen_USen_US
dc.publisherDepartment of Englishen_US
dc.subjectWestern modernityen_US
dc.subjectCultural hybridityen_US
dc.subjectHomosexualityen_US
dc.subjectEastern literaryen_US
dc.titleCritique of Western Modernity in Rushdie's The Enchantress of Florenceen_US
dc.typeThesisen_US
local.academic.levelMastersen_US
local.institute.titleCentral Department of Englishen_US

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