Class Relationship and Resistance in Melville's Stories: "The Encantadas" and "Bartleby"

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dc.contributor.authorChapagain, Mahesh Prasad
dc.date.accessioned2022-02-01T07:41:35Z
dc.date.available2022-02-01T07:41:35Z
dc.date.issued2007
dc.description.abstractHerman Melville's' Bartleby, the Scrivener and The Encantadas register a residual fascination with the expression and apprehension of suffering that emerged in the nineteenth century's entangled notions of bourgeois sensibility in the picture of antebellum America. 'Bartleby ' capitalizes on this phenomena, as the copyist propels the plot by refusing the narrator's aspirations to both noble sentiment and liberal agency through resolutely refusing to display evidence of suffering. The Encantadas, have with sketches, an allegorical dimension referring mostly to a condition of existence in mid-nineteenth century American Capitalism.en_US
dc.identifier.urihttps://elibrary.tucl.edu.np/handle/20.500.14540/7990
dc.language.isoen_USen_US
dc.publisherDepartment of Englishen_US
dc.subjectMarxism theoryen_US
dc.subjectCapitalism.en_US
dc.titleClass Relationship and Resistance in Melville's Stories: "The Encantadas" and "Bartleby"en_US
dc.typeThesisen_US
local.academic.levelMastersen_US
local.institute.titleCentral Department of Englishen_US
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