Subversion of Patriarchal Codes in Aphra Behn's The Rover

dc.contributor.authorTimsina, Devendra
dc.date.accessioned2023-04-04T07:09:21Z
dc.date.available2023-04-04T07:09:21Z
dc.date.issued2014
dc.description.abstractThis research work focuses on against capitalistic social codes and conventions in Aphra Behn's play The Rover. Behn subverts the masculinist as well as capitalistic discourse created by male dominated European society in mid-seventeenth century through her strong female characters. Behn defies capitalistic society by creating witty, independent, attractive, strong, active, and assertive female characters. She vehemently criticizes and blurs the stereotyped view of economic roles in The Rover. Behn with her brilliant stagecraft and carnival setting subverts the gender based ideologies of her contemporary seventeenth century society. Behn's own version of carnival which departs from traditional and religious carnival provides opportunity for female character to get liberation from patriarchal domination and exploitation. They could spontaneously transgress the civility of normal behavior and ideologies of existing social convention and express their social desire freely. Utilizing all the features of Restoration Comedy, Behn's heroines S subvert the male-created narratives of marriage, love, courtship and prostitution.en_US
dc.identifier.urihttps://hdl.handle.net/20.500.14540/16195
dc.language.isoen_USen_US
dc.publisherCentral Department of Englishen_US
dc.subjectPatriarchal codesen_US
dc.subjectCapitalistic ideologyen_US
dc.titleSubversion of Patriarchal Codes in Aphra Behn's The Roveren_US
dc.typeThesisen_US
local.academic.levelMastersen_US
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