Politics of Irony in Nadine Gordimer’s The Conservationist

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dc.contributor.authorAryal, Rajendra
dc.date.accessioned2021-07-22T06:10:43Z
dc.date.available2021-07-22T06:10:43Z
dc.date.issued2008
dc.description.abstractThis present dissertation on The Conservationist by Nadine Gordimer attempts to show the vivid picture of the South-African industrialist, Mehring, the protagonist of the novel, who is presented as the conservationist of the farm but in the end he is ironically shown as an exploiter. He has all the privileges and possessions that South Africa has to offer but his possessions refuse to remain as assets. The farm is his heaven for seduction and than he constructs his own truth and values which depend upon random and unsuitable sexual encounters, unlimited mediation upon death and alienation from his family. Though, he has all sorts of possessions and facilities , he can not entertain himself and finally becomes unbearable that leads to his own destruction resulting into politics of ironyen_US
dc.identifier.urihttps://hdl.handle.net/20.500.14540/1327
dc.language.isoen_USen_US
dc.publisherDepartment of Englishen_US
dc.subjectIrony Politicsen_US
dc.subjectconservationisten_US
dc.subjectdramatic ironyen_US
dc.titlePolitics of Irony in Nadine Gordimer’s The Conservationisten_US
dc.typeThesisen_US
local.academic.levelMastersen_US
local.institute.titleCentral Department of Englishen_US
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