Projection of Survival Instinct in Robert Zemeck is Directed Film,Cast Away

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dc.contributor.authorSinjali, Indra
dc.date.accessioned2022-07-18T10:23:49Z
dc.date.available2022-07-18T10:23:49Z
dc.date.issued2017
dc.description.abstractThe major thrust of this research is to examine how the protagonist inCast Awaystruggles to develop his innate instinct to survive in the midst of insurmountable challenges. With the theory of intertextuality, the present researcher finds this issue linked to the major issue of Robinson Crusoe who struggles to survive on an island.The detriment of this natural process is the resulting subjugation of particular experiences, objects and groups of people. Noland does his best to adapt to an uninhabited island. He creates a fictitious man named Wilson and talks to him so that he can come out of the entrapment of loneliness. Likewise, Crusoe also imposes the order of civilizing and surviving will on the island which is uninhabited. Both the characters boldly face the tragic lot of their shipwrecked lives. No matter how hazardous and terrible their shipwrecked lives, they exercise their latent sense of survival instinct and come triumphant over each and every hurdle. The miracle arises from the technique of visual effect and incredible cinematography. Under the guise of incredible heroism capable of any feat of miracle, the protagonists of both the films get clued to the notion of humanity.en_US
dc.identifier.urihttps://elibrary.tucl.edu.np/handle/20.500.14540/11865
dc.language.isoen_USen_US
dc.publisherDepartment of Englishen_US
dc.subjectIntertextualityen_US
dc.subjectCinematographyen_US
dc.subjectMetatextualityen_US
dc.subjectHypersexualityen_US
dc.titleProjection of Survival Instinct in Robert Zemeck is Directed Film,Cast Awayen_US
dc.typeThesisen_US
local.academic.levelMastersen_US
local.institute.titleCentral Department of Englishen_US
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