Critique ofMale Politics in Jostein Gaarder’sTheOrange Girl

dc.contributor.authorKhanal, Shree Ram
dc.date.accessioned2021-03-30T05:36:24Z
dc.date.accessioned2021-07-23T04:28:27Z
dc.date.available2021-03-30T05:36:24Z
dc.date.available2021-07-23T04:28:27Z
dc.date.issued2016
dc.description.abstractThis present research work is an analyticalstudyofthe male politics as gender performativity inJosteinGaarder’sThe Orange Girl. It also traces the process by which bothgeneration father and sonperspective shed and reconstructs the male ideology.This research work investigates into the male ideology to hegemonize the female bodyinwardly. Gaarder analyzes thefemale performanceas aesthetic beauty and epistemological beauty at the same time, his con-trick way of expression is cross generaand cross-generational view. Itattempts this throughoutlivesas Butlearian notion of gender performativitywhichbrings the strategies of male ideologiesin the novel. However, this gazing seems to be creative as objectify the female body outlives itself in postmodern just like postmodern feeds from male ideology which proves the harmonious relationship between gender performance and male politicsen_US
dc.identifier.urihttps://hdl.handle.net/20.500.14540/3198
dc.language.isoen_USen_US
dc.publisherCentral Department of Englishen_US
dc.subjectMale Politicsen_US
dc.subjectGenderRoleen_US
dc.titleCritique ofMale Politics in Jostein Gaarder’sTheOrange Girlen_US
dc.typeThesisen_US

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