Rendering of impressions in Ford Madox Ford's The Good Soldier

dc.date.accessioned2023-08-20T05:24:28Z
dc.date.available2023-08-20T05:24:28Z
dc.date.issued2010
dc.description.abstractFord Madox Ford’s The Good Soldier is a rendering of impressions as the major characters have no external reality but are simply the projections of the author’s creative imagination. Rather than following a linear plot, it enters the mind of storyteller and follows his associated ideas in a tangled stream of consciousness. In the novel, the narrator expresses only his limited knowledge, impression, and perception about the characters in front of the reader. Most of the time, narrator tells his past experiences and the events which merely shocked him. There is a fusion of colors with the impressionist language, plot, narrative techniques, experiences, and limited knowledge of the narrator. The narrator John Dowell shows only his experiences, impressions, knowledge and events of the story which are shocking for him. The whole story weaves only narrator’s perception.en_US
dc.identifier.urihttps://hdl.handle.net/20.500.14540/19190
dc.language.isoen_USen_US
dc.publisherDepartment of Englishen_US
dc.subjectImpressionismen_US
dc.subjectexternal realityen_US
dc.titleRendering of impressions in Ford Madox Ford's The Good Soldieren_US
dc.typeThesisen_US
local.academic.levelMastersen_US
local.institute.titleCentral Department of Englishen_US

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