Body as Theatre in Bode Jatra

dc.contributor.authorThapa, Hukum
dc.date.accessioned2021-06-20T06:06:17Z
dc.date.available2021-06-20T06:06:17Z
dc.date.issued2010
dc.description.abstractWhile poking into the facadeof the performance of body, the present dissertation receives its critical insight through the seminal ideas of Kapila Vatsayan,Conquergood, Turner, Grotowski, Schechner andet.al. The present research worklocates body as the site for theatricality of the performance inBode Jatra, exclusively the performativity of the tongue- piercing as an expression of cosmogonicconsciousness. It incorporatesthe movement of the body both from micro and macro aspect whichconstitutesthetheatrical culmination.The body in Bode Jatraturns into the liminal space that transcends the corporeal world to create space into the world of spirits, and returns dawning with newness, thereby evoking the sense and sensibility of theatricality.en_US
dc.identifier.urihttps://hdl.handle.net/20.500.14540/297
dc.language.isoen_USen_US
dc.publisherCentral Department of Englishen_US
dc.subjectBode Jatraen_US
dc.subjectcultureen_US
dc.titleBody as Theatre in Bode Jatraen_US
dc.typeThesisen_US

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