Cultural Poetics and Nepali Folktales: A Critical Inquiry of Socio-Political Connections

Abstract

This study delves into the profound cultural poetics embedded in Nepali folktales, a topic of immense significance in understanding how these narratives convey and sustain social standards and collective consciousness. Through the critical analysis of the narrative structure and thematic elements of folk tales such as “My Baby is Crying to Death," "The Meeting with God of Death," and “The Origin of Alcohol," compiled respectively by Popular Nepali folklorist Tulasi Diwas, Karunakar Vaidya, and Keshar Lal. The research aims to uncover how folktales reflect historical contexts and societal norms. Folktales are cultural treasures and living entities that represent and perpetuate the essence of the community. This thesis emphasizes the significance of interpreting folktales as dynamic, developing texts that challenge static interpretations and critically examine their limitations in expressing contemporary cultural variety. This thesis argues that Nepali folk tales are important cultural conduits that include political, social, and historical components in their narratives. These stories demonstrate perseverance, challenge power systems, and promote important social values. The study looks at how Nepali folk tales promote social inclusion, challenge historical ideas, and preserve cultural identity. By examining these stories through the lens of cultural poetics, the study highlights their long-term significance and potential to promote fundamental cultural transformation in Nepal. As they are passed down through generations, these stories adapt, reflecting and influencing changing social, cultural, political, and economic environments while remaining relevant today. Keywords: Nepali folktales, Cultural Poetics, Societal Values, Narrative Structures, Cultural Transmission, Legal Frameworks, Cultural Critique