Aesthetics and Politics of Society in Henry James'sThe Tragic Muse

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dc.contributor.authorBaral, Poshta Hari
dc.date.accessioned2022-02-25T05:14:29Z
dc.date.available2022-02-25T05:14:29Z
dc.date.issued2007
dc.description.abstractn Henry James'sThe Tragic Muse,the aesthetics emerges in the politics of society. Society and its mode of production condition and determine art, literature, painting and performances. The art, literature and performances are guided by the ideologies of the upper class people of the society and its mode ofproduction. In addition to this, they create their own autonomy for rebelling the existing society. The behaviors of the bourgeois people like Peter Sherringham and Julia Dallow towards the artists Nick and Miriam also support to justify that aesthetics isan outcome of the society and its mode of production.en_US
dc.identifier.urihttps://hdl.handle.net/20.500.14540/8513
dc.language.isoen_USen_US
dc.publisherDepartment of Englishen_US
dc.subjectLiterature Reviewen_US
dc.subjectSocialismen_US
dc.subjectEconomic conditionen_US
dc.titleAesthetics and Politics of Society in Henry James'sThe Tragic Museen_US
dc.typeThesisen_US
local.academic.levelMastersen_US
local.institute.titleCentral Department of Englishen_US

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