Politics of Gothic: A Study of Silence in Susan Hill’s The Woman in Black

dc.contributor.authorSharma, Krishna Prasad
dc.date.accessioned2022-08-24T07:14:19Z
dc.date.available2022-08-24T07:14:19Z
dc.date.issued2011
dc.description.abstracthis research on The Woman in Black tries to clarify that the contemporary social concern plays a wide role while writing the text. Hill’s novel,The Woman in Black was written in 1983. So, it centers on the social and political discourses that purported to define the family in early 1980s. Taking into its cultural context,The Woman in Black could be read as a social critique of these issues. This research aims to expose the fact that the society which is dominated by patriarchal traits has the potential of define and confine woman in their own way.The Woman in Black is in dialogue with contemporary rhetoric about families. It probes social anxieties associated with hierarchies of authority in families, legal responsibility, the isolation of unmarried mothers and the rights of parents or those in logo parent is. Consequently, the novel contributes to new and less idealized perception, about women and women as mother. In this respect, Hill’s novel belongs to a tradition of women’s radical novel.en_US
dc.identifier.urihttps://hdl.handle.net/20.500.14540/12581
dc.language.isoen_USen_US
dc.publisherDepartment of Englishen_US
dc.subjectHill’s novelen_US
dc.subjectCultural disagreementen_US
dc.titlePolitics of Gothic: A Study of Silence in Susan Hill’s The Woman in Blacken_US
dc.typeThesisen_US
local.academic.levelMastersen_US
local.institute.titleCentral Department of Englishen_US

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