Cultural Adaptation in Chorkheli Performance

Abstract

Chorkheli, a traditional dance practiced by the Tharu community primarily in the Saptari and Udaypur districts, remains relatively unknown to many outsides of these regions. This thesis aims to underscore the importance of Chorkheli for the Tharu people and delve into its aesthetic qualities, particularly through the accompanying songs. In an age marked by modernity and migration, cultural exchanges are becoming increasingly common, often leading to greater influence on indigenous cultures. However, this study highlights how the Tharu have not only preserved their tribal culture and identity but have also embraced and adapted the cultural practices and festivals of their neighboring communities.Through ethnographic research, interviews with Chorkheli performers, analysis of the dance’s lyrics, and an integration of key theoretical perspectives such as Schechner’s views on performance and Guneratne’s research on the Tharu, this thesis explores how Chorkheli serves as a cultural symbol of Tharu identity. The performance is not merely a representation of their traditional culture but also reflects the dynamic interplay with neighboring and global influences. Drawing from a variety of sources, including personal interviews, academic articles, journals, and books, the research highlights how Chorkheli stands as an evolving art form shaped by intercultural interactions.Additionally, this study addresses the declining frequency of Chorkheli performances, particularly among the younger Tharu generations, and seeks to identify the factors contributing to its diminishing presence. Despite this, the research concludes that Chorkheli remains a powerful marker of Tharu identity. It not only reinforces their tribal roots but also fosters unity within the community while accommodating regional and global cultural influences, ensuring its continued relevance in the modern era. Keywords: Tharus, Chorkheli, cultural adaptation, performance, identity