Representation of Gorkhas in Nepali Folk Songs

Abstract

This thesis is about a mode of representation of Gorkhas in Nepali folk songs. The discursive constructionof images, stereotypes, and identities of Gorkhas in popular cultural discourses are examined in the light of Stuart Hall's theory of culture, popular culture and identity. In countries like Britain, India, Singapore and other lands where Gorkhas are hired as Lahure, they are still subjected to condescending conditions. They are deprived of getting equal pay and self-respect. Their dehumanization, exploitation and misery knew no bound. Subjection of Gorkhas to horrifying working conditions and their terrible debilitating conditions prove that they are exploited and oppressed beyond measure. Despite their repeated efforts and struggle to actualize their dream, they are doomed to suffer. Consquently, they individually and jointly resist against British and Nepalese government in a past and present too.