Representation of Post-Apartheid South Africa in Nadine Gordimer’s The House Gun
| dc.contributor.advisor | Dhruba Karki | |
| dc.contributor.author | Rawat, Pratap | |
| dc.date.accessioned | 2024-11-14T09:48:34Z | |
| dc.date.available | 2024-11-14T09:48:34Z | |
| dc.date.issued | 2016 | |
| dc.description.abstract | The present research examines the awful context of widespread violence in Gordimer’ss The House Gunand comes to the conclusion of the urgency of the cultural constructivism in the post-apartheid country of South Africa.It explores through the illustration of a new type of modern family going through the way of individualism, where they face severecrime from the hand of a homosexual prominent character Duncan.This post-apartheid country has lots of social challenges in store for the black and the white victims together.Black characters are seen through the cunning eye and are reluctantly accepted even though the white fate has been controlled by the former.As there is the need of recovery, this research aims at reconstructing the binaries between the black and the white with the renewal of cultures. | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14540/23169 | |
| dc.language.iso | en_US | |
| dc.subject | Post-apartheid country | |
| dc.subject | Cultural constructivism | |
| dc.title | Representation of Post-Apartheid South Africa in Nadine Gordimer’s The House Gun | |
| dc.type | Thesis | |
| local.academic.level | Masters | |
| local.institute.title | Central Department of English |