Parody on Christianity in Brecht's The Caucasian Chalk Circle
Date
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Department of English
Abstract
The research is held to see how Brecht's The Caucasian Chalk Circle
chops out the convention of classical dramas through the dealing of epic
theatre concepts. Another significant issue that is raised in the research is, use
of communist overtones to parodize Christianity by using the Christian
images, assumptions and sacraments. As Brecht seems to undermine
Christianity by the Christian images, assumptions and sacraments, he seems to
have been questioning on the existence of God nor he sees any types of roles
of the God to the individuals lives rather Brecht dramatically celebrates
individualism to the world of materialism