Parody on Christianity in Brecht's The Caucasian Chalk Circle

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dc.contributor.authorBhusal, Ramesh Chandra
dc.date.accessioned2022-08-05T06:30:13Z
dc.date.available2022-08-05T06:30:13Z
dc.date.issued2008
dc.description.abstractThe research is held to see how Brecht's The Caucasian Chalk Circle chops out the convention of classical dramas through the dealing of epic theatre concepts. Another significant issue that is raised in the research is, use of communist overtones to parodize Christianity by using the Christian images, assumptions and sacraments. As Brecht seems to undermine Christianity by the Christian images, assumptions and sacraments, he seems to have been questioning on the existence of God nor he sees any types of roles of the God to the individuals lives rather Brecht dramatically celebrates individualism to the world of materialismen_US
dc.identifier.urihttps://hdl.handle.net/20.500.14540/12306
dc.language.isoen_USen_US
dc.publisherDepartment of Englishen_US
dc.subjectEpic theatreen_US
dc.subjectChristianityen_US
dc.subjectMarxismen_US
dc.titleParody on Christianity in Brecht's The Caucasian Chalk Circleen_US
dc.typeThesisen_US
local.academic.levelMastersen_US
local.institute.titleCentral Department of Englishen_US
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